Bergson essay on the meaning of the comic

I did not buy the pistol to murder myself or my wife; I never was really modern.

Henri Bergson

He never dreamed of turning any of these plastic talents to any mercenary account, or of using them for anything but his own private pleasure and ours. What is there to be ashamed of in being a man, my son. Thus, in the moralsocial, and religious life of men he saw, on the one side, the work of the closed societyexpressed in conformity to codified laws and customs, and, on the other side, the open society, best represented by the dynamic aspirations of heroes and mystical saints reaching out beyond and even breaking the strictures of the groups in which they live.

When the American begins to suggest that "salesmanship can be an art," he means that an artist ought to put all his art into his salesmanship. It is doomed to be ruptured by a return of heteroglossia, as the dominant discourse is interrupted by other voices.

For swimming to be possible, man must throw itself in water, and only then can thought consider swimming as possible. But whatever we may guess in such matters and nobody has yet done anything but guess about heredity it was for another purpose that I mentioned the savour of something racial about such a stock.

But when I was a child I had a sort of confident astonishment in contemplating the apple-tree as an apple-tree.

But the same sort of invention created for children the permanent anticipation of what is profoundly called a Surprise.

Laughter: An Essay on the Meaning of the Comic by Henri Bergson

It is through not understanding the importance of this double fact that the comic has been looked upon as a mere curiosity in which the mind finds amusement, and laughter itself as a strange, isolated phenomenon, without any bearing on the rest of human activity.

That is, I held the whole idea of repentance and absolution implicit but not unfolded in my mind. It can travel within as wide a circle as you please: The method of intuition, then, is that of getting back to the things themselves. We also have to focus on a specific feature of the person and to associate the person with this feature.

Something must have painted and repainted the picture in my mind; until I suddenly became conscious about the age of eighteen that it had become the picture of Amy Robsart lying at the foot of the stairs, flung down by Vamey and another villain. But here a few examples have become indispensable.

You exercise your body as you exercise your horse or your dog, as you exercise the power of choice, or the divine right of kings.

I might be the long-lost heir of The Holy Roman Empire, or an infant left by ruffians from Limehouse on a door-step in Kensington, to develop in later life a hideous criminal heredity. Modernity, as an experience of contingency, arose because the hegemony of medieval Latin was replaced by an interplay of languages: Shame gives us The Trial.

I knew pages of Shakespeare's blank verse without a notion of the meaning of most of it; which is perhaps the right way to begin to appreciate verse. It would be truer to accuse the hobbyist of living a double life. Shame is not to be identified with the 'life' on which Deleuze and Guattari so tediously and oppressively insist, but then, life isn't everything.

So, if masochism represents itself in one sense as a taking on of the helplessness and passivity traditionally associated with woman though not, let us note, by many male masochistsit is clear that it also allows a pretty traditional male exposure to risk and what can be called the infinite of finitude, the finitude that goes infinitely far beyond me in putting a stop to my hubristic reaching after illimitability.

Both have succeeded in appealing to audiences far beyond the purely academic sphere, but only in their mutual rejection of "intellectualism" as decisive as their actual agreement.

It is now so common as to be conventional to express impatience with priggish and moralising stories for children; stories of the old-fashioned sort that concern things like the sinfulness of theft; and as I am recalling an old-fashioned atmosphere, I cannot refrain from testifying on the psychology of the business.

The advocate of Bergson's philosophy in England, Dr. Near us, on our original perch in Campden Hill, was the great name of Argyll.

Theories of humor

It carries the weight of "I cannot have done this. It involves the distribution of utterly incompatible elements within different perspectives of equal value.

It says, everything that is inside me might just as well have been stuck on from the outside. Buy Laughter an Essay on the Meaning of the Comic by Henri Louis Bergson (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on Reviews: 2. Why Historical Distance is not a Problem. MARK BEVIR. History and Theory, Theme Issue 50 (December ), This essay argues that concerns about historical distance arose along with modernist historicism, and they disappear with postfoundationalism.

Henri Bergson

Laughter - An Essay on the Meaning of the Comic [Henri Louis Bergson, Cloudesley Shovell Henry Brereton] on douglasishere.com *FREE* shipping on qualifying offers. Please visit douglasishere.com for other works by this and other great authors/5(12).

Preface. Laughter: An Essay on the Meaning of Comic By Henri Bergson, member of the Institute Professor at the College de France Authorised Translation by Cloudesley Brereton L. es L. (Paris), M.A. (Cantab) and Fred Rothwell b.a.

(London). II.—THE MAN WITH THE GOLDEN KEY. The very first thing I can ever remember seeing with my own eyes was a young man walking across a bridge. He had a curly moustache and an attitude of confidence verging on swagger. laughter · henri bergson p. 2a laughter · henri bergson p. 2b laughter an essay on the meaning of the comic by henri bergson member of the institute professor at .

Bergson essay on the meaning of the comic
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Theories of humor - Wikipedia